Towards Participatory Design and Evaluation of Theremin-based Musical Interfaces
Geiger, Christian; Reckter, Holger; Paschke, David; Schulz, Florian; Pöpel, Cornelius (2008)
Geiger, Christian; Reckter, Holger; Paschke, David; Schulz, Florian...
Proceedings of the 2008 Conference on New Interfaces for Musical Expression (NIME08). Genova, Italy, 04.-08.06.2008, 303-306.
Open Access Peer Reviewed
Driving Sound Synthesis with a Live Audio Signal
Pöpel, Cornelius (2008)
Interactive Multimedia Music Technologies. Hershey, Pa: IGI Global, 167-194.
Peer Reviewed
Formalized and Non-formalized Expression in Musical Interfaces
Pöpel, Cornelius (2008)
Transdisciplinary Digital Art. Sound, Vision and the New Screen. Communications in Computer and Information Science, vol 7. Springer, Berlin, Heidelberg 7, 358-373.
DOI: 10.1007/978-3-540-79486-8_29
Peer Reviewed
hot_strings SIG
Pöpel, Cornelius; Marx, Günter (2007)
Proceedings of the 7th international conference on New interfaces for musical expression - NIME '07. New York, 06.-10.06.2007. New York: ACM Press, 281-284.
Open Access Peer Reviewed
Recent Developments in Violin-ralated Digital Musicals Instruments. Where Are We and Where Are We Going?
Pöpel, Cornelius; Overholt, Dan (2006)
Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06). Paris, 04.-08.06.2006, 390-395.
Open Access Peer Reviewed
Audio Signal Driven Sound Sythesis
Pöpel, Cornelius; Dannenberg, Roger B: (2005)
Proceedings of the ICMC 2005 International Computer Music Conference. Barcelona, Spain, 04.-10.09.2005: Michigan Publishing, 391-394.
Peer Reviewed
On Interface Expressivity: A Player-Based Study
Pöpel, Cornelius (2005)
Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME05). Vancouver, BC, Canada, 26.-28.05.2005, 228-231.
Open Access Peer Reviewed
musikabbau01
Pöpel, Cornelius (2004)
Musikpsychologie. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie. Band 17: Musikalische Begabung und Expertise. Göttingen: Hogrefe, 140-143.
Peer Reviewed
Synthesized Strings for String Players
Pöpel, Cornelius (2004)
Proceedings of the 2004 Conference on New Instruments for Musical Expression (NIME-04). Hamamatsu, Japan, 03.-05.06.2004, 150-153.
DOI: 10.5281/zenodo.1176655
Open Access Peer Reviewed
A system is introduced that allows a string player to control a synthesis engine with the gestural skills he is used to. The implemented system is based on an electric viola and a synthesis engine that is directly controlled by the unanalysed audio signal of the instrument and indirectly by control parameters mapped to the synthesis engine. This method offers a highly string-specific playability, as it is sensitive to the kinds of musical articulation produced by traditional playing techniques. Nuances of sound variation applied by the player will be present in the output signal even if those nuances are beyond traditionally measurable parameters like pitch, amplitude or brightness. The relatively minimal hardware requirements make the instrument accessible with little expenditure.
Prof. Dr. Cornelius Pöpel
Hochschule Ansbach
Fakultät Medien
Residenzstr. 8
91522 Ansbach
T 0981 4877-359 cornelius.poepel[at]hs-ansbach.de
ORCID iD: 000-0001-8143-4529